Company:East 15 Acting School
Director:Andrew Visnevski
# | Production Name: | Description: | Writer / Translator: | School |
---|---|---|---|---|
1 | Tartuffe | Molière | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
2 | The Good Doctor | Neil Simon, after Anton Chekhov | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
3 | The Country Wife | William Wycherley | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
4 | The Trap | 1991 | Tadeusz Różewicz (British première) | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
5 | The Bacchae of Euripides | Tabard Theatre London | Wolé Soyinka | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
6 | Bloody Poetry | Howard Brenton | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
7 | Mariage Blanc (British première) | New End Theatre London 1994. |
Tadeusz Różewicz | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
8 | Molière | Mikhail Bulgakov | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
9 | Reunion in Genthin (British première) | New End Theatre London 1995. |
Andrew Visnevski fromNiemcy by Leon Kruczkowski | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
10 | Comrades | August Strindberg | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
11 | Crime and Punishment | Fyodor Dostoyevski | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
12 | The Puppet Theatre of Don Cristóbal | New End Theatre London 1996 | Federico Garcia Lorca | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
13 | The Love of Don Perlimplín and Belissa in the Garden | New End Theatre London 1996 | Federico Garcia Lorca | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
14 | Lokis (World première) | Riverside Studios London 1997. |
Andrew Visnevski, after Prosper Merimée | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
15 | The Innocent Mistress | Mary Pix | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
16 | The Life of Edward the Second of England | A collaboration with The Cherub Company London: BAC London 1998 | Bertolt Brecht with Lion Feuchtwanger | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
17 | The House of Bernarda Alba | Federico Garcia Lorca | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
18 | The Merchant of Venice | A collaboration with The Cherub Company London: Lyric Hammersmith London 1999 | William Shakespeare | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
19 | Pentecost | A collaboration with The Cherub Company London. |
David Edgar | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
20 | Oedipus Tyrannos | Timberlake Wertenbaker, after Sophocles | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
21 | Mother Courage and Her Children | Bertolt Brecht | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) | |
22 | The Balcony | Tabard Theatre London 2002 | Jean Genet | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
23 | The Government Inspector | Tabard Theatre London 2003 | Nikolai Gogol | ArtsEd. London - School of Acting & The Acting Company (post-graduate MA in acting) |
24 | Saturday, Sunday, Monday | Eduardo de Filippo | East 15 Acting School | |
25 | Tales from the Vienna Woods | Odön von Horvath | Mountview School of Acting | |
26 | Top Girls | Caryl Churchill | Mountview School of Acting | |
27 | A Family Affair | Aleksander Ostrovski | Mountview School of Acting | |
28 | The Matchmaker | Thornton Wilder | Mountview School of Acting | |
29 | The Old Batchelor | William Congreve | Mountview School of Acting | |
30 | The Rover | Aphra Behn | Mountview School of Acting | |
31 | The Voysey Inheritance | Harley Granville Barker | Mountview School of Acting | |
32 | The Crucible | Arthur Miller | Mountview School of Acting | |
33 | Oedipus Rex | Sophocles | Webber Douglas Academy of Dramatic Art | |
34 | Oedipus | Seneca (adapted by Ted Hughes) | Webber Douglas Academy of Dramatic Art | |
35 | The Funeral | Sir Richard Steele | Webber Douglas Academy of Dramatic Art | |
36 | The Lady of the Camellias | Alexandre Dumas | Webber Douglas Academy of Dramatic Art | |
37 | Blithe Spirit | Noël Coward | Webber Douglas Academy of Dramatic Art | |
38 | The Way of the World | William Congreve | Webber Douglas Academy of Dramatic Art | |
39 | Antony and Cleopatra | William Shakespeare | Central School of Speech and Drama | |
40 | Pushkin, Youth and Love | An original programme based on the life and work of the greatest Russian poet. |
Andrew Visnevski | Royal Academy of Dramatic Art, London |
41 | Right You Are, If You Think You Are | Luigi Pirandello | Royal Academy of Dramatic Art, London | |
42 | A Midsummer Night’s Dream | 1990 |
William Shakespeare | Royal Academy of Dramatic Art, London |
43 | Seafoam, Cleft Heads and Satyrs | An original programme based on Greek creation myths, art and theatre 1990. |
Andrew Visnevski | Royal Academy of Dramatic Art, London |
44 | Trolls in Heart and Soul | An original programme on the recurring themes in the last great plays of Henrik Ibsen 1991 | Andrew Visnevski | Royal Academy of Dramatic Art, London |
45 | Nana | 1991 |
Olwen Wymark, after Emile Zola | Royal Academy of Dramatic Art, London |
46 | Kafka’s THE CASTLE | 1995 |
Andrew Visnevski, after Franz Kafka | Royal Academy of Dramatic Art, London |
47 | This Time It Will Be Different | British première 2004 | Luigi Pirandello | Royal Academy of Dramatic Art, London |
48 | Ten Days’ A-Maze | 2005 | Vi Marriott | Royal Academy of Dramatic Art, London |
49 | Raft of the Medusa | In his shocking and controversial painting of 1819, Théodore Géricault captures the moment when the naked, starving and wretched survivors of shipwreck glimpse hope on the horizon. After the frigate Medusa ran aground off the coast of North Africa, 147 people who were denied space on the life boats, were crowded onto a hastily constructed wooden raft and cut adrift. After 13 days at sea, without food or water and after enduring unimaginable suffering, 15 survivors were picked up by the ship Argus. This is the starting point for a devised piece of text-based, physical theatre, which characterises the showcase productions of the MA Theatre Lab. What is the price of survival: despair, madness, murder? What laws defining civilised man need to be broken: vows of love, bonds of friendship and family, the final taboo of man devouring his brother? Does the determination to survive erase the veneer of centuries of man placing himself at the head of the animal kingdom? Does it disintegrate all moral and ethical boundaries? Is the story itself a metaphor for the world we live in: inept leaders at the helm, a disastrous divisive present, a fatal disillusionment ahead? Playwright Joshua Sobol's ground-breaking plays have been performed worldwide and include The Father (1995) and Alma (1996). Ghetto (1989) was directed for the National by Nicholas Hytner and won the Evening Standard and London Critics’ awards for Best Play of the Year. |
By MA Theatre Lab Students, in collaboration with Joshua Sobol |